Genre LensWhat is Electro House?
Loud, aggressive, distorted house. Heavy, buzzing, detuned synth basslines that snarl rather than groove, and a hard-hitting drop. The dominant festival sound of roughly 2008–2014.
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Identify my track- distorted detuned saw bass
- loud compressed drop
- snare rolls into the drop
- aggressive rather than groovy
Anchors rather than an exhaustive canon — if your track sits near these, this is probably the right label.
Usual tempo 126–132 BPM. Sitting outside that range does not disqualify a track; it just makes the tells matter more.
The nearest neighbours in Electronic, by tempo. If Electro House does not quite fit, one of these usually does.
- Big Room126–132 BPM
Main-stage festival EDM at its most maximal. Enormous simple lead melody, a huge build with a white-noise riser and a silent pause, then a drop that is mostly kick and a single blaring synth. Designed for 40,000 people jumping.
- Breaks / Breakbeat125–140 BPM
Dance music built on a syncopated, funky broken drum loop instead of a straight four-on-the-floor kick. The groove stumbles and swings rather than marching.
- IDM / Experimental80–170 BPM
"Intelligent Dance Music" — electronic music made for headphones rather than dancefloors. Irregular, intricately programmed drums, odd time feels, unusual synthesis, and structures that refuse to repeat predictably.
- Progressive House124–130 BPM
House that takes its time. Long, gradual builds where layers stack over several minutes toward a big melodic release. Widescreen, emotional, festival-sized. If your track has a slow 90-second build into a huge melodic drop, this is usually the honest pick.